65 pages 2 hours read

Where am I Wearing?: A Global Tour to the Countries, Factories, and People That Make Our Clothes

Nonfiction | Book | Adult | Published in 2008

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Preface-Part 1Chapter Summaries & Analyses

Part 1: “The Mission”

Preface Summary

Kelsey Timmerman opens by describing how he has changed since Where Am I Wearing? was first published in 2008. He is now a husband and father. He has also continued his quest to become an engaged consumer and a better “global citizen” and regularly visits universities and high schools to speak on these themes. He explains that he revised the book in 2012 since he felt that there was information to add. Wherever possible, he has included updates on the stories of the workers featured in the book and changes to the economic context of their countries.

Prologue Summary: “We Have It Made”

Timmerman is American, but his clothes were made in other countries. His underwear was made in Bangladesh, his jeans came from Cambodia, and his flip-flops were made in China. The concept for Where Am I Wearing? began when he noticed that his favorite T-shirt was made in Honduras. Now, Timmerman cannot see a clothing label without thinking of the garment makers he met while researching his book. The dramatic difference between the workers’ lifestyles and his own is the difference between being a maker and a consumer.

Part 1, Chapter 1 Summary: “A Consumer Goes Global”

Timmerman recounts how he was voted “Best Dressed Guy” in his high school class of 1997 (3). However, he could not claim credit for this title since his mother chose all his clothes. He points out that his detachment from the buying process as a boy is not dissimilar to most people’s experience purchasing clothes. Most American people are ignorant of the origin of their clothes and how they get from the manufacturer to the store. 

During high school, Timmerman learned that Disney and Kathie Lee Gifford were criticized for using child labor to make their clothes. However, as he did not wear those brands, he felt unaffected. He was vaguely aware that most Americans opposed globalization, which had led to unemployment when US factories closed and relocated overseas. Americans were encouraged to buy “all-American” products, so his family shopped at Walmart. In college, Timmerman learned that outsourcing manufacturing led to exploitation and sweatshops. Brands like Nike were exposed for using sweatshops, and it emerged that Walmart sold few American products. 

After gaining a degree in anthropology, Timmerman was eager to leave his hometown of Ohio and travel the world on his earnings as a SCUBA instructor. One day, he decided to visit all the locations where his clothes were made and meet the people who made them. He started with Honduras, where his favorite T-shirt was manufactured. When he revealed his plans, a former schoolmate immediately assumed that the manufacturers would be “sweatshops.” 

Timmerman went to Honduras, explored the country, and met a factory worker. However, he was not ready to ask the questions he wanted to know and returned unenlightened. He bought a house with his fiancée, Annie, and learned more about the globalization of the garment industry. Nevertheless, he still had unanswered questions about the lives of the workers. Consequently, Timmerman re-embarked on his “quest” to find the factories and people who made his clothes. 

During his mission, the author learned that the truth about the apparel industry lay somewhere between the opinion of activists who condemn globalization and economists who claim that the globalization process empowers workers and raises nations out of poverty. While the workers he met wanted better pay and conditions, they were primarily glad to be employed and did not want well-meaning people from the West boycotting the brands they worked for. He discovered that workers were driven by the need to support their families and that, in cases of extreme poverty, child labor was a necessary evil. Timmerman also learned how long the chain is “from producer to consumer” (7), involving workers, factories, subcontractors, buying houses, and various middlemen before reaching American stores and the consumer.

He outlines the origins of the American garment trade’s globalization. After World War II, the US’s decision to move its textile industry to Japan was partially politically motivated. After devastating the country with two atomic bombs, the US wanted to improve relations with Japan to discourage the Japanese from making alliances with communist countries such as the Soviet Union and China. Timmerman references the economist Thomas Friedman, who, in The World Is Flat (2005), observes that “no two countries that both had McDonald’s had ever fought a war against each other” (7). Global trade was increasingly perceived as a way to promote the principles of democracy. There were also significant economic advantages on both sides. While American companies wanted cheap products, developing countries craved the investment of wealthier nations. This trend inevitably led to “a race to the bottom” (8), whereby developing countries competed to provide the cheapest garments via poorly paid workers.

The 21st century has seen increasing debate and concern about the conditions of outsourced manufacturing in developing countries. For example, the Decent Working Conditions and Fair Competition Act of 2007 was introduced by senators hoping to ban American trade in products made in “sweatshops.” However, the act did not get beyond the committee stage. In recent years, many companies have established “codes of conduct” and monitoring systems for outsourcing the manufacture of garments (9). However, Timmerman argues that companies do not want consumers to think too deeply about how or where their products are made.

Labor rights activists play an essential role in exposing companies that do not ensure acceptable standards for workers. Nevertheless, Timmerman suggests that, in some instances, this tactic can adversely affect the workers involved. American companies may stop using those factories, and the workers then lose their jobs. Job losses can also be caused inadvertently when Western consumers boycott outsourced products. The author emphasizes that Western ideals of workers’ fair treatment do not directly translate to less developed countries and must be assessed within each country’s economic context.

The author recommends adopting a more engaged consumerism. Rather than thoughtlessly buying the cheapest products, he suggests that we support companies that are transparent about their manufacturing processes and take steps to ensure that workers are not exploited. Timmerman states that he now cares about where his clothes are from because he has met the workers Amilcar, Arifa, Nari, Ai, Dewan, and Zhu Chun. He believes that readers will feel the same.

Part 1, Chapter 2 Summary: “Tattoo’s Tropical Paradise”

Timmerman’s favorite T-shirt is made in Honduras. It features the character Tattoo from the 1970s TV Show Fantasy Island, and the slogan invites readers to a “TROPICAL PARADISE.”

In July 2005, Timmerman is 26 and travels to Honduras. After SCUBA diving and a jungle expedition, he has acquired material for his column “about being a touron—one part eager tourist and one part well-meaning moron” (14). Nevertheless, his main aim is to visit the factory where his T-shirt was made. An employee from Delta Apparel happily provides the factory’s address over the phone. However, he feels unwelcome when he stands outside the Delta Apparel factory near San Pedro Sula. After speaking to armed guards at the gates and an unhelpful company representative, it is clear that he will not be allowed inside the factory. The workers arriving at the factory avoid him. 

Timmerman finally succeeds in talking to 25-year-old garment worker Amilcar. He wants to ask Amilcar what he earns and about his lifestyle but realizes that part of him does not want to hear the answers. Instead, Timmerman takes off his T-shirt, gives it to Amilcar, and takes their photograph together.

Part 1, Chapter 3 Summary: “Fake Blood, Sweat and Tears”

Timmerman recounts his experience at the 2006 International SweatFree Communities Conference in Minnesota. He pretends to join in a chant blaming Coca-Cola for the deaths of Columbian union leaders despite regularly drinking it. 

The conference mainly focuses on the apparel industry and opposition to sweatshops. A young man covered in fake blood explains that he has just attended a “die-in” where participants pretended to be dead among tombstones. Despite some of its unconventional means of protest, the author acknowledges that SweatFree has been instrumental in exposing the exploitation of foreign workers to the public. The group initially concentrated on companies like Gap and Nike and moved on to schools, universities, and states, pointing out instances of uniforms being made under unacceptable conditions. Making voters aware of these issues influenced buying policies in many states and cities. 

Timmerman attends the conference hoping to learn more about factory conditions but realizes that, like him, the participants have never met the workers they support. The author wonders if workers in developing countries want Americans to protest on their behalf or if they value their jobs despite their low pay. He feels that he needs answers to these questions before he can settle down. As his wife, Annie, plans their wedding, he packs for his travels.

Preface-Part 1 Analysis

The author’s distinctive narrative style is established in the first section of Where Am I Wearing? Chapter 1 opens on a light-hearted note as Timmerman relates personal anecdotes. His accounts frequently draw on self-deprecating humor—for example, the description of becoming the “Best Dressed Guy” in high school and his depiction of himself as a “touron” (part-tourist, part “moron”) (3). The technique aims to build a rapport with the reader, paving the way for his later introduction of investigative journalism and socio-economic analysis. 

The early chapters of Where Am I Wearing? also outline the book’s premise. The list of the various developing countries where Timmerman’s clothes were made highlights the mass globalization of the US apparel industry. Timmerman presents his mission to find the makers of his favorite clothes as a personal journey as well as an investigative exercise. Before his expedition, he is relatively uninformed about the origins of the clothes he buys, epitomizing the average American consumer. However, during his research process, he transforms from “a clueless buyer” to “an engaged consumer” (10). 

Timmerman admits that the idea for his book gave him an excuse to travel. He depicts himself as a Peter Pan-like character, eager to postpone the looming responsibilities of adult life. Timmerman’s lack of serious focus is reflected in the relative futility of his first trip to Honduras. His reluctance to ask Amilcar pertinent questions about his living and working conditions indicates that he is not yet fully committed to his mission. Face-to-face with a Honduran garment worker, the disparity between the “tropical paradise” portrayed on his T-shirt and the lives of those who produced it becomes clear. Like many Western consumers, Timmerman wants to buy ethically but is reluctant to confront truths that may be unpalatable. By giving Amilcar his T-shirt before taking their photograph together, he embodies the typical tourist who fails to look beneath the surface to the real Honduras. His later feelings of shame at his behavior demonstrate the difference between his younger and older selves. Timmerman portrays his journey from consumer naivety to a more informed stance as a gradual coming of age in which he loses his “consumer innocence.” 

Introducing the key concept of engaged consumerism, Timmerman points out that customers cannot make ethical buying choices without greater knowledge of the manufacturing process. He argues that sweeping generalizations about overseas garment manufacturing are unhelpful to customers trying to make informed decisions. This point is illustrated by his former schoolmate’s assumption that he plans to visit sweatshops—a supposition based on the belief that all overseas factory owners share an equal disregard for the welfare of their workers. Timmerman suggests that this oversimplified view leads to the belief that it is impossible to buy ethically, essentially absolving Western consumers of responsibility. He establishes misconceptions such as this early in the text so that the narrative arc then subverts these misconceptions.

In this section, Timmerman establishes his central argument that globalization causes The Gap Between Producers and Consumers. He suggests that outsourcing garment manufacturing to geographically distant countries creates an emotional disconnect between buyer and maker. Consumers’ inability to imagine the lives of garment makers in developing countries causes apathy concerning how their clothes are made. Timmerman emphasizes this point with the analogy of his mother buying his clothes as a child. He parallels the way he unquestioningly wore the garments his mother came home with and the way the average consumer does not consider where or how the clothes they buy are manufactured. The text aims to bridge this gap through the personal stories of the workers. By focusing on the individuals working in the overseas garment industry, Timmerman hopes to relate the subjective experience of facts and statistics about globalized production. 

Timmerman’s description of the SweatFree conference in Chapter 3 reflects the book’s emphasis on adopting practical measures to improve overseas workers’ rights. Timmerman argues that labor activism is important and can affect real change, such as influencing government purchasing. At the same time, he satirizes some of the activists’ methods of protest—for example, the attendee who is covered in fake blood from a “die-in.” Timmerman implies that such theatrical displays of solidarity are self-indulgent and do little to help improve conditions for foreign workers. The chapter title, “Fake Blood, Sweat and Tears,” highlights how the demonstration has no relationship to the blood, sweat, and tears shed by exploited overseas workers. He argues that pitying garment makers may make Western consumers feel better, but workers need practical measures to inform them of their rights and protect their welfare.

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