36 pages 1 hour read

Brown Girl in the Ring

Fiction | Novel | Adult | Published in 1998

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Symbols & Motifs

The Center

The center is a recurring notion of in the novel that demonstrates marginalization as well as power. In the Prologue, the center is first introduced as Toronto’s city center, which has been abandoned by the government after the Riots, further impoverishing the area’s already poor residents. The more affluent residents fled the “rotten core” (3) for the suburbs as the city center continued to fall apart to crime and further poverty. Despite these economically debilitating circumstances, a whole community thrives in the city center to support one another. While there remains rampant crime and danger, there is also collective power that Ti-Jeanne witnesses after Mami’s death. Moved by Mami’s impact on their lives, the community members offer tokens of appreciation and support to Ti-Jeanne, demonstrating that marginalization is not removed from collective strength.

The center appears again when Ti-Jeanne astral projects over the CN Tower, readying herself to become Rudy’s duppy before the Jab-Jab’s intervention. Reminded of Mami’s words that “[t]he centre pole is the bridge between the worlds” (219), Ti-Jeanne uses the CN Tower as her center pole to summon the African spirits to her aid. The potency of the CN Tower as a conjuring rod challenges the notion of the center as a space far from saving. This is conveyed through Premier Uttley’s changed attitude towards the city center at the novel’s end. While the revitalization of the city center has not been part of her campaign promise, Mami’s heart forces her to recognize that “there are quite a few resourceful people left in Muddy York” (239). Thus, the center is characterized not only by its impoverishment but also its promise.

Blood

While blood is an essential part of the spiritual rituals performed by Mami, Ti-Jeanne and Rudy, it also refers to their familial bond and inheritance of this practice. As blood is a sacred part of the cultural and spiritual tradition, passed down through generations of women in the family, Rudy’s defiling of this practice also perverts his relationship to the women in his family. When warned that his desire to seek revenge on his enemies threatens the natural balance of life and death, Rudy insists to Eshu, “But killing is that me want” (131). His persistence leads him to manipulating his own daughter into becoming a duppy to carry out his own murderous designs. While his desire for bloodshed represents a perversion of the family’s cultural and spiritual tradition, the women manage to reclaim their relationship to this practice through healing one another. When Mi-Jeanne turns into a Soucouyant and is instructed by Rudy to kill Ti-Jeanne, she wounds her daughter just enough so that she can scatter her blood as a distraction. When wounded, Ti-Jeanne notes that it is “Rudy’s blood spilling from her veins” (202). In righting Rudy’s corruption of a sacred practice, Ti-Jeanne chooses to collaborate with her mother to free her from the duppy bowl and break away from Rudy’s abuses.

The Duppy

The duppy is not only the vessel through which Rudy enacts violence upon his enemies but also an extension of his incestuous abuse. While the duppy is ordinarily someone already dead, Rudy takes advantage of the fact that he can usurp his daughter’s abilities to create an even more powerful duppy. When Ti-Jeanne releases Mi-Jeanne from the duppy bowl that controls her, Rudy attempts to fashion Ti-Jeanne into his next duppy. Rudy’s obsession with making his progeny into duppies imbues the spiritual form with incestual connotations. In immobilizing Ti-Jeanne as part of the ritual to make her into his duppy, he gives her a drug that he says “will lower [her] emotional resistance, make [her] more suggestible” (210). He further employs abuser tactics such as gaslighting to convince her to separate her soul from her body. When the spirit leaves the body to become the duppy, the physical body becomes vulnerable as evidenced through Mi-Jeanne’s madness following her transformation into Rudy’s duppy. The duppy comes to symbolize victimization through sexual and physical abuse in the novel.

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